ENTRETIEN / INTERVIEW
By Alex Chevallier. In: Point Contemporane #24, 18.5.2022 http://pointcontemporain.com/entretien-sur-ledition-maike-aden/
Since many years Maike Aden has been presenting, investigating and teaching on all forms of published works of art which include printed matter by artists (books, newspapers, magazines, postcards, catalogues, posters, photos, etc.) as well as sound works, videos, films and multiples.
AVANTGARDE ON DEMAND. ARTSTS' BOOKS BETWEEN TOTALKUNST AND DOWNLOAD
with Timm Ulrichs and Katharina Neuburger
In the frame of the three-day symposium Judge a Book by its Cover. Artists’ Books in the Digital Age
27-29 January 2022
Organised by Burg Hülshoff-Center for Literature Münster, Kloster Bentlage Rheine, Literaturmuseum Haus Nottbeck in cooperation with a DFG project on artists' books at the Ruhr-Universität Bochum and the Indiecon-Independent Publishing Festival.
Performances by Andreas Bülhoff, Lütfiye Güzel, Sebastian Haslauer, Lisa Jeschke Muzak & Riha.
Lectures by Hannes Bajohr, Alessandro Ludovico, Janine Sack, Viola Hildebrand-Schat, Monika Schmitz-Emans, Christoph Schulz.
Panel with Timm Ulrichs, Katharina Neuburger and Maike Aden.
Video recordings: online here.
PUBLICATION & LECTURE
GAINING SCOPE FOR ACTION. MARIE-SOPHIE BEINKE'S POSTAL EDITIONS
Publication: Antwerpen: De Slegte 2021
Lecture: De Slegte, Antwerpen, 26 November 2021
... Marie-Sophie Beinke cannot and does not want to revive the historical Mail art movement. Her initiative to physically connect with people, places, ideas and works through art via the postal service is rather intended to create scope for action for the individual of the techno-digital disciplinary society (...). What started out as an antidote to the compulsion to transfer art and communication into the digital space quickly proved to be a self-empowering culture of communication against Ulises Carrión's 'Big Monster' of today, that has grown into a giant of immeasurable proportions..."
KULTUR & GESPENSTER Nr. 21: ARCHIVE UND DEPOTS UND LAGER UND HALDEN UND HAUFEN UND BUNKER UND VERLIESSE UND KAMMERN
Band Nr. 21 von "Kultur & Gespenster" aus Hamburg: ein wunderbares Gegengift zur derzeit zum Gespenst degradierten Kultur (Gespenster aber kehren wieder!). In gewohnt erstklassigem Layout auf sattem Papier mit weichem Touch, das toll riecht.
Der Terminus »Archiv« hat auf dem Weg durch die Historien und Disziplinen einige Bedeutungsverschiebungen und -erweiterungen erfahren. Er wird heute nicht mehr nur institutionell oder situativ-konkret, sondern oft metaphorisch benutzt oder im globalen Sinne als Kulturtechnik und Institution der Gedächtnisbildung aufgefasst. Diese Ausgabe handelt von Ideen wie Archive und Depots und Lager und Halden und Haufen und Bunker und Verliese und Kammern aussehen können. 351 Seiten voller erhellender, erheiternder, verstörender, zorniger oder einfach nur guter Artikel. Und einer Bildstrecke über Hügel aus Rabenscheiße.
Auf 36 Seiten davon untersuche ich zwanzig Archive von Künstler.innen im Raum von Publikationen. Und warum diese Archive in Zeiten der digitalen Monopolisierung und Privatisierung von Wissen und Erinnerung die besseren Archive im Sinne der Selbstermächtigung sind.
MEMBER OF THE PANEL OF EXPERTS
ARTISTS’ BOOK PRICE: PRIX BOB CALLE
Association Bob Calle in partnership with the Beaux-Arts de Paris
The 2021 Edition
Presentation: click on resp. image
As member of the panel of experts of the Association Prix Bob Calle / Beaux-Arts de Paris, I proposed four artists' books for the price (in alphabetical order):
The winners will be announced at the beginning of June. To be followed up on Instagram.
GAME, SET, MATCH. THREE CONCEPTS OF THE ARTISTS' BOOK
Museum Serralves, Porto, Portugal
28 June - 20 October 2019
The collection of artists’ books of the Serralves Museum, curated by Guy Schraenen until his death in 2018, is one of the leading collections in Europe. Represented are all types and tendencies of this art genre, which emerged in the late 1950s when artists invented the concept of the ‘artist’s book’, a new and revolutionary way of dealing with the space of the book and with the diffusion of ideas and works.On the occasion of its twentieth anniversary, the three-chapter exhibition Game, Set, Match will present major publications by visual artists of all horizons. It will highlight three main investigative fields within the universe of artists’ books: while chapter one deals with the tautological notion of the artist’s book as book, chapter two reflects on the book as an artwork in its own right, equivalent to a painting or a sculpture; chapter three focuses on works that exist at the interface between book and object. Altogether, the presented works are examples of how artists metamorphose the ordinary aspects of the book. Rather than destroying its ideas, they give new life and perspectives to it.
On occasion the opening, Ricardo Nicola, curator of the Museum Serralves, hosted a conversation between João Fernandes, deputy director of the Museum Reina Sofía Madrid and Maike Aden, curator of the exhibition.
Review: studio international
NOLI ME TANGERE. ÜBER DIE ABWESENHEIT ANWESENDER KÜNSTLERBÜCHER IN AUSSTELLUNGEN
ABOUT THE ABSENCE OF PRESENT ARTISTS' BOOKS IN EXHIBITIONS
In: Dora, C., Fabian, C. et al. (eds.) (2019), Bibliothek und Wissenschaft, Wiesbaden: Harrassowitz Verlag, 52, pp. 119-133.
Open access: ART-Dok. Repositorium für Kunst- und Bildwissenschaften, Mai 2017
Most books are everything else but glamorous status symbols. For this reason artists' books will never enter into the prestigious and highly capitalized art scenes. But just this unsuitability as an exclusive collector's trophy is responsible for its reputation as subversive, critical and resisting genre or art. Even if these attributions are imprecise constructions, they have created a considerable boom - at least among those who wish an alternative to the traditional art world with its super rich actors and power structures. But to provide a more differentiated view on the varied phenomena and concepts of artists' books is challenging. In an exhibition, these works remain absent in a way. Only when you feel, touch, smell, and flip through them, they come to life. But...
Künstlerbücher werden nie zu den glamourösen Statussymbolen der prestige- und kapitalträchtigen Kunstszenen gehören. Ihre Untauglichkeit als exklusive Sammlertrophäe ist es, die ihnen den Status eines Kunstphänomens mit subversivem, widerständigem Touch eingebracht haben. So missverständlich, unscharf und vielleicht auch bequem diese Zuschreibung auch ist, eines hat sie zumindest bewirkt: sie hat dem Künstlerbuch - zumindest unter jenen Kunstakteuren, die sich eine Alternative zur herkömmlichen Kunstwelt der Superreichen und -mächtigen wünschen - eine beträchtliche Konjunktur beschert. So erfreulich es auch ist, dass diese vom Kunstbetrieb lange vernachlässigte Gattung endlich eine gewisse Aufmerksamkeit erfährt, um so herausfordernder ist es allerdings, die vielfältigen Phänomene und Konzepte des Künstlerbuchs sachgerecht in Ausstellungen zu vermitteln. Denn das Buch an sich hat keinen musealen Ausstellungswert. Wird es allein als zu besichtigendes Objekt dargeboten, bleibt es abwesend. Erst wenn man es betastet, aufschlägt und darin blättert kann es lebendig werden.
VINYL & CLIPS. SOUND COLLECTION GUY SCHRAENEN AND CLIPS BY ARTISTS
Frac Franche-Comté, Besançon, France
19 May 2019 - 22 September 2019
The exhibition brings together hundreds of vinyl records, covers, objects and graphic works, created by visual artists as well as by poets and some musicians. The works belong to the internationally most important and most comprehensive collection on Sound Art, the Sound Collection Guy Schraenen, which is part of his Archive for Small Press & Communication, now held by the Centre for Artists’ Publications at the Museum Weserburg Bremen, Germany. The show is divided into various sections that range from the avant-garde movements of the beginning of the 20th century such as Dadaism and Futurism, to sound experiments after 1945 by the Lettrists, Sound Poets, Beat Generation, Fluxus, Zaj, Conceptual Art. Presented are also groups of records by artists such as Jean Dubuffet, Dieter Roth, Joseph Beuys, John Giorno, William Burroughs, Roman Opalka, Hermann Nitsch, Hanne Darboven, Allen Ginsberg, Laurie Anderson, as well as singular works by Yves Klein, Tom Wesselmann or Karel Appel. The relationship between visual arts and rock and pop music is highlighted with the records of the Rolling Stones, Velvet Underground or the Beatles, but also more recent groups such as Kraftwerk, Black Flag or Sonic Youth; artists such as Andy Warhol, Robert Franck, Peter Blake or Raymond Pettibon have transformed them into icons.
A listening table, specially designed for this exhibition, allows visitors to access sound samples by almost all works of the collection.
Furthermore is presented a selection of music clips by artists. Chosen are works by visual artists who have found a freedom of creation in this short format which allows them to mix provocations, humour or diversions while echoing our time.
In a specially arranged movie space, the public can also watch the documentary Vinylmania which leads through the fascinating facets of the vinyl record. Enthusiastic collectors, DJs, musicians and artists all over the world can be met. Guy Schraenen speaks about his passion for records and covers by artists.
Link to the collection:
Sound Collection Guy Schraenen including artist biographies, a glossary and hundreds of sound samples
Reviews: Le Monde /// Les Inrockuptibles /// Trax Magazine
VORTRAG / LECTURE
IN SEARCH OF THE ARTISTS' BOOK IN AN EXHIBITION
Symposium "It’s a Book",
Hochschule für Grafik und Buchkunst Leipzig, parallel zur Leipziger Buchmesse, 25.3.2017“
VORTRAG / LECTURE
UN-MÖGLICHKEITEN DES AUSSTELLENS VON KÜNSTLERBÜCHERN
IM-POSSIBILITIES OF EXHIBITING ARTISTS' BOOKS
Symposium "Bitte umblättern! Künstlerbücher im Einsatz",
Hamburger Kunsthalle, 21.-22.11.2016
THE ARTISTS' PUBLICATIONS KEYWORD DIRECTORY
Library and Documentation Centre of the Museo Reina Sofia, Madrid
Aug. 2014 - Dec. 2017
Artists’ books and all kind of artists’ publications are an increasing collection field of museum collections, museum libraries, documentation centres, archives, collections. The unique and unconventional features of these published works of art pose major challenges regarding their classification, recording, placement, and relocation. Until today, the usual database systems are not satisfactorily adapted to this genre of art. The Artists' Publication Keyword Directory provides. Based on the professional expertise of decade-long collecting and curating, the Artists' Publication Keyword Directory provides unambiguous, consistent and comprehensive cataloguing standards that are especially applied for the diversity and complexity of artists’ publications. The question in the foreground is the user who needs an effective search tool in hands for the retrieval of a work. To meet this objective, the directory is conceived as a glossary which provides both the definitions of the technical vocabulary and a concrete system for cataloguers to classify and record artists’ publications in their specific aspects as precise and straightforward possible. Its system of non-hierarchical groups of a standardized vocabulary provides a practical guideline to set up an online database which ensures, above all, access to the treasures of this genre of art which would otherwise stay undiscovered in well-protecting, acid free boxes on extensive shelves in filing cabinets of carefully tempered and ventilated archive cellars and library stacks.
Initiator of the project: Guy Schraenen
Scientific development and elaboration: Maike Aden
THE ARTISTS' PUBLICATION KEYWORD DIRECTORY
Together with Guy Schraenen
Annual conference of Museum Libraries, Museo Reina Sofia Madrid, 23/24.11.2017
BERNARD VILLERS. ENSEMBLE OF ARTISTS’ BOOKS IN MUSEUM REINA SOFIA MADRID
In: Blohm, M. (ed.) (2015) Fabricio Ideas. Hide&Seek #10
"... this text should be understood as a passionate plea to visit artist’s book exhibitions! You will often find reading desks to look at artists’ books and secondary literature. In addition to
this, in museums or libraries with artists’ book collections, each of the exhibited book works can mostly be ordered – like in a graphic and print cabinet – to be carefully viewed in all its
This fantastic possibility is offered at the Museum Reina Sofia, the national Museum of Modern and Contemporary Art in Madrid. Not only does the museum exhibit Picasso’s famous masterpiece, Guernica, and some extensive and excellently presented collections of the 20th and 21st century. But also a large and essential collection of published works of art is regularly shown in exhibitions.(...) As there is a huge number of impressive artists’ books which are presented in these artists’ books exhibitions I will restrict myself - perforce, but with a great pleasure - to the beautiful and interesting artists’ book-oeuvre of Bernard Villers, a Belgian painter, silkscreen printer, object artist, author and publisher (Editions du Remorqueur/Le Nouveau Remorqueur)..."
COLLECTED WRITINGS GUY SCHRAENEN. ESSAYS, STATEMENTS, INTERVIEWS 1974-2013
Edited by Bettina Brach with the collaboration of Maike Aden. Bremen: Centre for Artists' Publications 2013
The publication of Guy Schraenen’s “Collected Writings” give access to all the texts he has published over four decades, from the 1970s up until the very recent past. They document his abiding interest in the history and the significance of the international networks underlying artists’ publications and initiatives in the 1960s and 1970s. He reflects upon the socio-political and cultural strategies of the artist-initiated art scene, which remained independent of the official art establishment.
The writings are presented in the form of facsimiles of the original publications. Most texts are in English, some in French, several also in other languages. They are available in two versions:
Order: Centre for Artists' Publications Bremen, Germany
SEMINARS / WORKSHOPS
A CENTURY OF ARTISTS' BOOKS
The current enthusiasm for artists' books shall be an occasion to give an insight into the diverse phenomena and concepts of "a century of artists' books". The access to a most wide variety of artists' books within the collection is an ideal way of linking the theoretical discourse with a practical perspective to illustrate how these publications functioned in particular during the 1960s and 70S as art works which aimed to revolutionize the official art world by means of independent production and dissemination of affordable art works.
Collaborations with both private collectors and curators of public collections give insights into the rich diversity of this genre of art.
|Selection of seminars and workshops...|
ARTISTS' BOOKS OF THE INTERNATIONAL POST-1960s AVANT GARDE
Universität Osnabrück in Kooperation mit dem A.S.P.C. im Zentrum für Künstlerpublikationen Bremen, Sommersemester 2015
BOOK AS ARTWORK
Zentralinstitut für Kunstgeschichte München, 09.10.2014
ARTISTS' BOOKS WITHIN THE COLLECTION OF THE MUSEUM SERRALVES IN PORTO
Faculty of Fine Arts at the University of Porto in cooperation with the Museum Serralves Porto, Summer semester 2014
ARTISTS' BOOKS IN PRIVATE AND PUBLIC COLLECTIONS
Institut für Kunst und Kunsttheorie der Universität Köln in Kooperation mit dem Künstlerbuchsammler Walther König und der Sammlung Buchkunst in der Kunst- und Museumsbibliothek Köln, Sommersemester 2013
EXHIBITION: "VINYL. RECORDS AND COVERS BY ARTISTS"
Centre for Artists' Publications Bremen / Museum Weserburg Bremen in collaboration with the Museu d’Art Contemporani de Barcelona (MACBA)
21 Aug.-27 Nov. 2005
INTERNATIONAL PROJECT: "SOUND ART"
Centre for Artists' Publications Bremen, Febr.-Nov. 2005
|More about the projects...|
The exhaustive survey Vinyl. Records and Covers by Artists presents sound and art works by visual artists as well as by musicians and poets of the twentieth century. The exhibition provides all kinds of formats and media, located at the interface between visual and audible components. It represents the visual and sonant facets of artists' records and other froms of supports from the early avant-garde movements such as Futurism , Constructivism and Dadaism on, the new deveopments by the Lettrists and the Sound Poets until the manifold experiemnts during the main phase of Sound art in the sixties uand seventies all the way to today’s trends. A selection of 300 avant-garde records can be listened to on the sound station in the exhibition.
The accompanying programme of the extensive Sound Art Project, organized on occasion of this exhibition, presents the cross-border activities in the area of art, music, literature and film since the 1960s.
It consists of:
• 14 Sound art concerts of artists including (a.o.) Dmitri Prigov, Sven-Ake Johansson, Sten Hansen, Carsten Nicolai
• An international conference : "Sound Art Between Avant-garde and Pop Culture" (30 Sept.–2 Oct. 2005)
• A Sound Art Cinema Week (2–6 Nov. 2005)
• An international Sound art fair with publishers and antiquarians, specialised in Sound art (30 Sept.–2 Oct. 2005)
VARIOUS EXHIBITIONS ON ARTISTS' PUBLICATIONS
The Centre for Artists' Publications Bremen, the largest and most outstanding collection of published artworks in Europe, covers the areas collection and research, as well as exhibitions. Several exhibitions a year aim to present the different aspects of the evolution and dissemination of artists’ publications and to illustrate the diversity of this genre. The exhibitions cover insight into the archives, funds and collections of the Centre, country-specific surveys, comprehensive solo exhibitions, as well as thematic group exhibitions to all fields of published and multiplied art international.