Artists' Books / Artists' Publications

Artists' books and artists' publications / Künstlerbücher und andere Künstlerpublikationen

 

Since many years Maike Aden has been researching, writing and teaching on artists' publications which include printed matter by artists such as books, newspapers, magazines, postcards, catalogues, posters, photos etc., as well as multiples, video, film and sound art. Her work focusses on the historical, cultural-political and institutional contexts of this genre as well as on all the aspects and forms. For the database at the Museum Reina Sofia Madrid she is responsible for the scientific development and elaboration of cataloguing rules for the diverse and complex concepts and forms of artists’ publications. All theoretic work of Maike Aden is based on her hands-on experience she gained throughout her research work on the reorganisation, documentation and representation of the  publishing house archive Guy Schraenen Éditeur.

 


 

RESEARCH PROJECT

THE ARTISTS' PUBLICATIONS KEYWORD DIRECTORY

Library and Documentation Centre of the Museo Reina Sofia, Madrid, Aug. 2014 - Dec. 2017

ARTISTS' PUBLICATIONS DIRECTORY FOR REINA SOFIA. PROJECT BY GUY SCHRAENEN AND MAIKE ADEN
How to faciliate future access to the full diversity of artists’ publications in archive storages?

Artists' publications are an increasing collection field in libraries, documentation centres, private collections, and museums. But the unique and unconventional features of these art works pose major challenges regarding their classification, recording, placement, and relocation. Until today, the database systems are - apart from very few, not fully satisfying approaches - not adapted to this genre of art.

The ARTISTS' PUBLICATION KEYWORD DIRECTORY will provide cataloguing standards that are especially applied for the enormous diversity and complexity of artists’ publications. The intention is pragmatic: It provides a concrete and effective system for catalogers to inventory artists’ publications in all their specific aspects as precise, unambiguous and uncomplicated as possible. In consequence, researchers and curators have a tool for future access to these interesting art works, that are often 'hidden' between their book covers in boxes on shelves of storages.

Initiator and head of the project: Guy Schraenen

Responsible for the scientific development and elaboration: Maike Aden

 

 

 

PRESENTATION:

THE ARTISTS'BOOK KEYWORD DIRECTORY

together with Guy Schraenen.

IV Jornadas de Bibliotecas de Museos (annual conference of museum libraries)

Museo Reina Sofia Madrid, 23/24.11.2017

 


 

ESSAY

NOLI ME TANGERE. ÜBER DIE ABWESENHEIT ANWESENDER KÜNSTLERBÜCHER IN AUSSTELLUNGEN

ABOUT THE ABSENCE OF PRESENT ARTISTS' BOOKS IN EXHIBITIONS
In: ART-Dok. Repositorium für Kunst- und Bildwissenschaften, Mai 2017

Essay online (Digital Repository Art History Heidelberg): Noli me tangere

Künstlerbücher ausstellen / Exhibiting Artists' Books. Essay von/by Maike Aden

DE: Künstlerbücher werden nie zu den glamourösen Statussymbolen der prestige- und kapitalträchtigen Kunstszenen gehören. Ihre Untauglichkeit als exklusive Sammlertrophäe ist es, die ihnen den Status eines Kunstphänomens mit subversivem, widerständigem Touch eingebracht haben. So missverständlich, unscharf und vielleicht auch bequem diese Zuschreibung auch ist, eines hat sie zumindest bewirkt: sie hat dem Künstlerbuch - zumindest unter jenen Kunstakteuren, die sich eine Alternative zur herkömmlichen Kunstwelt der Superreichen und -mächtigen wünschen - eine beträchtliche Konjunktur beschert. So erfreulich es auch ist, dass diese vom Kunstbetrieb lange vernachlässigte Gattung endlich eine gewisse Aufmerksamkeit erfährt, um so herausfordernder ist es allerdings, die vielfältigen Phänomene und Konzepte des Künstlerbuchs sachgerecht in Ausstellungen zu vermitteln. Denn das Buch an sich hat keinen musealen Ausstellungswert. Wird es allein als zu besichtigendes Objekt dargeboten, bleibt es abwesend. Erst wenn man es betastet, aufschlägt und darin blättert kann es lebendig werden.

 

EN: Most books are not exactly what one calls a glamorous status symbol. For this reason artists' books will never enter into the prestigious and highly capitalized art scenes. But just this unsuitability as exclusive collector's trophy is responsible for the artists' book reputation as an art work with a subversive, critical and resisting touch. Even if these attributions are misleading and imprecise, they have created a considerable boom of the genre artists' book - at least among those who wish that there might be an alternative to the traditional art world with its super rich actors and its prevalent power structures. But as gratifying it is that these art works, which have been neglected by the professionals for a long time, finally are receiving some attention, the more challenging it is to provide a differenciated view on its varied phenomena and concepts. The reason is, that an important part of the artists' book history can't be adequately presented because the book itself, in particular the rare book, has no exhibition value. If it is shown in an exhibition, it remains absent. It is only when you feel and touch it and when you flip through it that it comes to life.

 

Künstlerbücher ausstellen, Vortrag von Maike Aden

VORTRAG / LECTURE

AUF DER SUCHE NACH DEM KÜNSTLERBUCH IN AUSSTELLUNGEN IN THE SEARCH OF THE ARTISTS' BOOK IN AN EXHIBITION
Symposium: „It’s a Book“, Hochschule für Grafik und Buchkunst Leipzig, parallel zur Leipziger Buchmesse, 25.03.2017

 

 

VORTRAG / LECTURE

UN-MÖGLICHKEITEN DES AUSSTELLENS VON KÜNSTLERBÜCHERN

IM-POSSIBILITIES OF EXHIBITING ARTISTS' BOOKS
Symposium "Bitte umblättern! Künstlerbücher im Einsatz", Hamburger Kunsthalle, 21./22.11.2016

 


 

ESSAY

BERNARD VILLERS. ENSEMBLE OF ARTISTS’ BOOKS IN MUSEUM REINA SOFIA MADRID

In: Fabricio Ideas: Hide&Seek #10, August 2015

Essay online (EN & DE): Bernard Villers

Artists' Books by Bernard Villlers. Essay by Maike Aden
Bernard Villers: Figure, Paysage, Marine, Édition du remorqueur, Brussels 1988

"... this text should be understood as a passionate plea to visit artist’s book exhibitions! You will often find reading desks to look at artists’ books and secondary literature. In addition to this, in museums or libraries with artists’ book collections, each of the exhibited book works can mostly be ordered – like in a graphic and print cabinet – to be carefully viewed in all its details.
This fantastic possibility is offered at the Museum Reina Sofia, the national Museum of Modern and Contemporary Art in Madrid. Not only does the museum exhibit Picasso’s famous masterpiece, Guernica, and some extensive and excellently presented collections of the 20th and 21st century. But also a large and essential collection of published works of art is regularly shown in exhibitions.(...) As there is a huge number of impressive artists’ books which are presented in these artists’ books exhibitions I will restrict myself - perforce, but with a great pleasure - to the beautiful and interesting artists’ book-oeuvre of Bernard Villers, a Belgian painter, silkscreen printer, object artist, author and publisher (Editions du Remorqueur/Le Nouveau Remorqueur)..."

 


 

SEMINARS/WORKSHOPS

A CENTURY OF ARTISTS' BOOKS

Seminars on Artists' Books / Seminare über Künstlerbücher von/by Maike Aden

The current enthusiasm for artists' books shall be an occasion to give an insight into the diverse phenomena and concepts of "a century of artists' books". The access to a most wide variaty of artists' books within the collection is an ideal way of linking the theoretical discourse with a practical perspective to illustrate how these publications functioned in particular during the 1960s and 70S as art works which aimed to revolutionise the official art world by means of independent production and dissemination of affordable art works. Furthermore, the private collector Walther König and the director of the art and museum library Elke Purpus are invited to give insights into their great collections and rich experiences in order to distinguish the character of a public collection conducted with a scientific responsibility from a private one which is led by personal preferences and to explore the accessibility of artists' books today.

 

ARTISTS' BOOKS OF THE INTERNATIONAL POST-1960s AVANT GARDE

Universität Osnabrück in Kooperation mit dem A.S.P.C. im Zentrum für Künstlerpublikationen Bremen, Sommersemester 2015

 

BOOK AS ARTWORK

Zentralinstitut für Kunstgeschichte München, 09.10.2014

 

ARTISTS' BOOKS WITHIN THE COLLECTION OF THE MUSEUM SERRALVES IN PORTO

Faculty of Fine Arts at the University of Porto in cooperation with the Museum Serralves Porto, Summer semester 2014

 

ARTISTS' BOOKS IN PRIVATE AND PUBLIC COLLECTIONS

Institut für Kunst und Kunsttheorie der Universität Köln in Kooperation mit dem Sammler Walther König und der Kunst- und Museumsbibliothek Köln, Sommersemester 2013

 


 

EXHIBITION ASSISTENCE

EXHIBITION: "VINYL. RECORDS AND COVERS BY ARTISTS"
Centre for Artists' Publications Bremen / Museum Weserburg Bremen in collaboration with the Museu d’Art Contemporani de Barcelona (MACBA), 21 Aug.-27 Nov. 2005

"Sound Art Project" and exhibition on "Vinyl. Records and Covers by Artists"

The exhibition Vinyl. Records and Covers by Artists, curated by Guy Schraenen and organised by the Centre for Artists’ Publications/Neues Museum Weserburg Bremen, Germany and by the Museu d’Art Contemporani de Barcelona (MACBA), Barcelona, Spain. The main of this collection comprises vinyl records and covers by artists, musicians and poets in LP, single and other formats, alongside other sound media (tapes and CDs). The exhibition shows artists (such as Hanne Darboven, Jean Dubuffet, Dieter Roth, Joseph Beuys, Laurie Anderson, Yves Klein, Roman Opalka and Hermann Nitsch) and artistic movements of the second half of the twentieth century through this complex medium, with its dual visual and audible components. A selection of 300 records can be listened to on the deck at the end of the exhibition.

 

 

PROGRAMME ASSISTENCE

INTERNATIONAL PROJECT: "SOUND ART"

Centre for Artists' Publications Bremen, Febr.-Nov. 2005

 

The international Sound Art Project is organized on occasion of the exhibition Vinyl and presents the visual and sonant facets of artists' records and other from the early avant-garde movements and the main phase of Sound Art in the sixties and seventies, all the way to today’s trends. The extensive Sound Art proramme presents the cross-border activities in the area of art, music, literature and film since the 1960s. It consists of:

• 14 Sound Art concerts of artists such as Dmitri Prigov, Sven-Ake Johansson, Sten Hansen, Carsten Nicolai a.o.
• An international conference: "Sound Art Between Avant-garde and Pop Culture" (30 Sept.–2 Oct. 2005)
• A Sound Art Cinema week (2–6 Nov. 2005)
• An international Sound Art fair with publishers and antiquarians, specialised in Sound Art (30 Sept.–2 Oct. 2005)

 


 

EXHIBITION ASSISTANCE

VARIOUS EXHIBITIONS ON ARTISTS' PUBLICATIONS

Centre for Artists' Publications Bremen, 2005/2006

Exhibitions in the Centre for Artists' Publications Bremen

The Centre for Artists' Publications Bremen, the largest and most outstanding collection of published artworks in Europe, covers the areas collection and research, as well as exhibitions. Several exhibitions a year aim to present the different aspects of the evolution and dissemination of artists’ publkications and to illustrate the diversity of this genre. The exhibitions cover insight into the archives, funds and collections of the Centre, country-specific surveys, comprehensive solo exhibitions, as well as thematical group exhibitions to all fields of published and multiplied art international.

 


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