Main Research Interests

• Post-1960s concepts and artistic practices, with a focus on artists’ books and multiples
• History and theory of acoustic experiments
• Collaborative pedagogical projects exploring ambiguous knowledge

Selected Projects

• Archiving, cataloging, and exhibiting artists’ publications
• Sound experiments by visual artists until the 1980s
• Intermedial Writing Networks of the Post-1960s

• Artistic reception of Bas Jan Ader (1942–1975)
• Artistic reception of Ulises Carrión (1941–1989)
• Boekie Woekie Amsterdam (since 1989)

Current Positions

• Lecturer: École des Mines and École Normale Supérieure, Paris
• Scholar and curator for archives, museums, and universities internationally
• Author of monographs, essays, and scholarly treatises

Education

• Doctorate (Dr. phil.) in Art History: The Artistic Reception of Bas Jan Ader, University of Bremen
• Magistra Artium (M.A.) in Art History and Musicology, University of Bremen
• 1st and 2nd state teaching examinations for music, University of Osnabrück

Affiliations

• ESCON — Writings in Contact. Intermedial Writing Networks in the Era of Analogue Globalisation (1961–1991), funded by the State Research Agency (Ministry of Science, Innovation, and Universities, 2025–2029
• Committee of artists’ books experts for the Prix Bob Calle, Paris, since 2020
• Research Network Artists’ Publications, Bremen, since 2019
• AG Künstlerbücher | RDA and Sondermaterialien (Working Group Artists’ Books | RDA, Committee for Standardization at the German National Library), 2018–2023

• Mentoring group of the Deutscher Kulturrat for women in the cultural and media sector, 2017–2020
• Arbeitskreis Künstlerbücher (Association of Institutions and Scholars in the Field of Artists’ Books, German-speaking regions), since 2016
• KOMDIF — Interdisciplinary Research Program at the IPN – Leibniz Institute Kiel, with M. Peters, 2009–2012

More 

• Short Bio
• Interview  (frz.)