• Curator of the exhibition "Big Bang. Sounds by Artists from Dada to Punk" (provisional title), after concepts by Guy Schraenen, Museo Reina Sofia Madrid, 2020



• Curator of the "Sound Collection Guy Schraenen" in the exhibition "Vinyls & Clips. Sound Collection Guy Schraenen & clips d’artistes", together with Sylvie Zavatta, curator of the section "Clips d'artists". Frac Franche-Comté, Besançon, 19 May-22 September 2019



• Member of the "AG Künstlerbücher|RDA und Sondermaterialien" (special working group for developing cataloguing standards for artists' books according the RDA - Ressource Description & Access) within the Committee for Standardization at the German National Library, 2018-2021



• Head of research for the scientific development and elaboration of the "Artists’ Publications Keyword Directory" (initiator: Guy Schraenen) for the artists' book collection at the Museo Reina Sofia, Madrid, 2013-2018



• Research assistant for the Ulises Carrión retrospective "Dear Reader. Don't read", Museo Reina Sofia Madrid, 2016 / Museo Jumex Mexico, 2017



• Commissioner for the reorganization, documentation and representation of the archive Guy Schraenen Éditeur, Bruxelles/Paris, since 2012



• Assistant for exhibitions in the field of artists' publications and sound art, Centre for Artists' Publications Bremen/Museum Weserburg Bremen, 2005-2006



• Program collaborator for the international art project "Sound Art", Centre for Artists' Publications Bremen 2005



• Commissioner for the provenance research and registration of the Collection Ludwig Roselius Bremen, Neues Museum Weserburg Bremen 2005




• Seminars on the models of romanticism in contemporary art, University ICP Paris in cooperation with various exhibition spaces in Paris,  Since 2019.



• Seminars on independent artists’ groups, artists’ initiatives, artists’ networks in the 20th and 21st century, University ICP Paris in cooperation with various museums in Paris. Since 2017.



• Seminars on theories of modernity, University ICP Paris in cooperation with various museums in Paris. Since 2016.



• Seminars on artists' books and artists’ publications for students of various schools for fine art and universities in Porto, Cologne and Munich in cooperation with the Museum Serralves Porto, the Centre for Artists' Publications Bremen, the private collector Walther König, the KMB Cologne and the Zentralinstitut für Kunstgeschichte (ZI) in Munich. 2013 - 2015



• Seminars on a.o. artistic strategies of writing / transformation of education schemes of museums for university students in cooperation with the Museum Ludwig and the Kolumba Museum in Cologne. 2013-2014



• Research laboratory on processes of creating meaning and knowledge in view of religious representations with students of the Institute for Catholic Theology at the University of Paderborn in cooperation with the Diocesan Museum Paderborn. 2013



• "See-minars" for students of all factulties of the University of Bremen in cooperation with various museums, archives, galleries and artists in Bremen. 2009-2011



• Various projects and guided tours of a specific format as well as lectures for visitors of the documenta exhibition, partly supported by the Heinrich Böll Foundation and the Fond Soziokultur, partly in the frame of the work as member of the mediation program at the documenta12 Kassel, partly as lecturer of the University Bremen (Topics a.o.: "Art and Empowerment", "Seeing at the Edge of Chance", "What is to be done?", "The Migration of Forms"). 2007



• Seminars for students of the University of Bremen in cooperation with the Museum Weserburg Bremen, the Hamburger Kunsthalle and the documenta Kassel (Topics a.o.: , "Explorative Processes of Knowledge Creating",  "Visualizing and Generating Aesthetic Experience", "Artistic Strategies as Research Mode", "Writing at the Interface between Text and Image", "Concepts of the Beholder and the Perception",  "Impossibleness and Necessity of Interpretation", "Critical Discussion on the Expanding of Gallery Education", "Constituting a Public Sphere in a Museum", "Performing the Museum", "Art Education as Alternative to Didacticism, Academism, and Commodity Fetishism"). 2005-2011



• Courses for teacher of the Free Hanseatic Cities of Bremen and Hamburg in the frame of my work at the Museum Weserburg Bremen and the Hamburger Kunsthalle (Topics a.o.: "Art as Research and Research as Art", "Can one Speak about Sound?", "Risks and Side Effects of Visual Literacy Concepts"). 2005-2011