DE

 

Archiving-Researching-PRESENTING

 

• Research assistant for the exhibition "Sound Art Vanguards" (provisional title), Museo Reina Sofia Madrid, 2020

 

 

• Research commissioner for the scientific development and elaboration of the "Artists’ Publications Keyword Directory" (initiator: Guy Schraenen) for the artists' book collection at the Museo Reina Sofia, Madrid, 2013-2018

 

 

• Research assistant for the Ulises Carrión retrospective "Dear Reader. Don't read", Museo Reina Sofia Madrid, 2016 / Museo Jumex Mexico, 2017

 

 

• Commissioner for the reorganisation, documentation and representation of the archive Guy Schraenen Éditeur, Bruxelles/Paris, since 2012

 

 

• Assistant for exhibitions in the field of artists' publications and sound art, Centre for Artists' Publications Bremen/Museum Weserburg Bremen, 2005-2006

 

 

• Program collaborator for the international art project "Sound Art", Centre for Artists' Publications Bremen 2005

 

 

• Commissioner for the provenance research and registration of the Collection Ludwig Roselius Bremen, Neues Museum Weserburg Bremen 2005

 


Reflecting-Communicating-Teaching

 

 

• Seminars on theories of modernity, artists’ groups, artists’ initiatives, artists’ networks, art movements of the 20th and 21st century for students of the University ICP Paris in cooperation with the Centre Pompidou and the Louvre. Since 2016.

 

 

• Seminars on artists books and artists’ publications for students of various schools for fine art and universities in Porto, Cologne and Munich in cooperation with the Museum Serralves Porto, the Centre for Artists' Publications Bremen, the private collector Walther König, the KMB Cologne and the Zentralinstitut für Kunstgeschichte (ZI) in Munich. 2013 - 2015

 

 

• Seminars on artistic strategies of writing, on a transformation of the education schemes of museums, etc. for university students in cooperation with the Museum Ludwig and the Kolumba Museum in Cologne. 2013-2014

 

 

• Research laboratory on processes of creating meaning and knowledge in view of religious representations with students of the Institute for Catholic Theology at the University of Paderborn in cooperation with the Diocesan Museum Paderborn. 2013

 

 

• "See-minars" for students of all factulties of the University of Bremen in cooperation with various museums, archives, galleries and artists in Bremen. 2009-2011

 

 

• Various projects and guided tours of a specific format as well as lectures for visitors of the documenta exhibition, partly supported by the Heinrich Böll Foundation and the Fond Soziokultur, partly in the frame of the work as member of the mediation program at the documenta12 Kassel, partly as lecturer of the University Bremen (Topics a.o.: "Art and Empowerment", "Seeing at the Edge of Chance", "What is to be done?", "The Migration of Forms"). 2007

 

 

• Seminars for students of the University of Bremen in cooperation with the Museum Weserburg Bremen, the Hamburger Kunsthalle and the documenta Kassel (Topics a.o.: , "Explorative Processes of Knowledge Creating",  "Visualizing and Generating Aesthetic Experience", "Artistic Strategies as Research Mode", "Writing at the Interface between Text and Image", "Concepts of the Beholder and the Perception",  "Impossibleness and Necessity of Interpretation", "Critical Discussion on the Expanding of Gallery Education", "Constituting a Public Sphere in a Museum", "Performing the Museum", "Art Education as Alternative to Didacticism, Academism, and Commodity Fetishism"). 2005-2011

 

 

• Courses for teacher of the Free Hanseatic Cities of Bremen and Hamburg in the frame of my work at the Museum Weserburg Bremen and the Hamburger Kunsthalle (Topics a.o.: "Art as Research and Research as Art", "Can one Speak about Sound?", "Risks and Side Effects of Visual Literacy Concepts"). 2005-2011